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Madeline Kenney’s Wandering Curiosity

Madeline Kenney's Wandering Curiosity

Madeline Kenney loves to move. In the most literal sense, she’s talking about her Oakland home: “I don’t know if I can pay expensive rent just to be touring all the time,” she tells AdHoc over email, ahead of her headlining set at Trans-Pecos. But getting to this point in her life–California, touring musician–took a lot of moving, both physically and figuratively. Tracing the winding path of Kenney’s life reveals frequent and seemingly random detours: she’s studied neurobiology and has had a nearly decade-long career as a baker before focusing her energy as a musician. 
 
Kenney’s endless curiosity and wandering spirit, though, shows itself in full force through her music. Her debut album, Night Night at the First Landing, is full of musical and lyrical detours–the cascading melody of “Always” seems to be searching for answers; the twinkling piano provides a guide.  On several songs, Kenney loops her voice into a round, with each part singing the same mantra: “Don’t you worry about a thing.” With each piece of her musical puzzle, Kenney contends with her place in the universe, and the simultaneous excitement and uncertainty of innumerable possibilities.
 
Madeline Kenney's debut album, Night Night at the First Landing, is out now on Company Records. Catch her 9/19 at Trans-Pecos with Tall Friend and Trees Take Ease.
 
AdHoc: I wanted to talk about your approach to composition. Your music, to me, is kaleidoscopic, meandering, searching; you layer sounds–fingerpicked guitar, harmonized vocals, steady drums–that create an almost ethereal space. You wrote, arranged, and tracked every song on the album–what’s your thought process when you begin to write a song, and when arranging it?
 
Madeline Kenney: Wow, thanks for such a thoughtful and kind description of my sound!  Sometimes songs come together from a melodic idea on guitar or on my loop pedal, but more often than not I come up with melodies when I'm nowhere near an instrument. Then I have to do the work to put music to the lyrics or melody I've come up with. As far as arranging and layering sounds, I think that comes from hearing many melodies at once and wanting to squeeze everything in.
 

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