Flesh World purvey a muscly sort of post-punk, spurred into gear by Scott Moor's high-octane, high-feedback guitar and Jess Scott's spat-out vocals. But the musculature that Flesh World flexes is not one of aggressive machismo, but rather one of corporeal connections fostered, a press release for the band has said, in the nurturting spaces of "the punk show, the gay world, and the rest of the environments Flesh World insulate themselves in for survival." They're a band threaded together by this bodily interaction—Flesh World's Jess Scott and Scott Moore met while "loitering around [San Francisco's] Panhandle district"—as well as a physical sound.
Flesh World's Jess gathered up some of their disparate influences into a playlist for AdHoc. Check out the lead single for their upcoming full-length Into the Shroud, out September 8 via Dark Entries, below, and catch Flesh World perform September 23 at Silent Barn with Home Blitz.
Jess Scott: The theme of this is strange girls from around the globe—artists active from 1956 to present, from Tokyo to Berlin to Australia to Montreal to Los Angeles, from women from prison camps to women in my living room. These are sounds from strange girls with strange histories, making everything from early French goth to italo to contemporary house to avant-garde compositions in strange places.