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Combo Chimbita Have Visions of a Magical, Tropical Future

Combo Chimbita Have Visions of a Magical, Tropical Future

New York's Combo Chimbita are a self-described "cumbia-not-cumbia" four-piece. Their sound is heavily indebeted to the rhythms of the aforementioned Colombian dance, but, as bassist Prince of Queens tells me, the band sees their take as “left field” cumbia: "taking the essence, blending different styles, experimenting, and making it our own." The band—which includes vocalist and guacharaca player Carolina Oliveros, drummer Dilemastronauta, and guitarist Niño Lento—cut its teeth as a collective during a residency at Brooklyn venue Barbès. Tracked live to tape, their new LP, Abya Yala,  showcases their style of tight yet extroverted "tropical futurism," with an generous energy that could only come from lifelong creative partnership and friendship.
 
AdHoc spoke to Prince of Queens over email ahead of Combo Chimbita's show opening for Zula on 10/19 at the Park Church Co-op.
 
AdHoc: How did you all meet and start playing music together?
 
Prince of Queens: We have been friends and played in different groups for over six years. I met Niño Lento at a Colombian percussion workshop in Queens eight years ago. He introduced me to Dilemastronauta and later on to Carolina Oliveros. Combo Chimbita started pretty spontaneously—we started doing a residency at Barbès in Brooklyn on Monday nights, where we would just improvise and jam back to back with DJs. On most nights, the venue was empty, and Carolina would come hang out. One day she brought her guacharaca and joined us. It just happened naturally. We started narrowing down the jams and writing songs. 

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