Beverly makes indie rock lucid in all senses of the word—from their ebullient guitar work to their limpid lyricism to the hyperrealist art adorning The Blue Swell, their latest record for Kanine. Distilling the sounds of their forebears—including My Bloody Valentine and The Breeders—and the contemporary thrum of the New York scene, the Brooklyn-based rockers concoct radiant mélange of melody and reverb. Ahead of Beverly's show September 12 at The Park Church Co-op, vocalist and guitarist Drew Citron spoke with AdHoc about the interconnected processes of sound engineering and live performance and artistry in this time of crisis.
AdHoc: You’ve been a band for about three years now. In that time, Beverly has gone through a lot of changes, including parting ways with Frankie Rose and gaining Scott Rosenthal. Do you feel like you have a firm grasp on what music and art you want to make through Beverly? How has that changed or stayed the same over time?
Drew Citron: Yeah, I mean I have always had a pretty firm grasp on the music because 90% of the songs are written by me. So in that sense, it's stayed the same. If anything, the direction of the band has become more focused over time, as I've gotten more confident with writing, singing, recording and performing.